Goodreads is not for everyone. The website isn't the most responsive, the reviews are mostly unorganized, and the iOS app can be clunky... and yet, I have stuck with it for five years now, despite not logging in for several months at a stretch. The reason is that Goodreads has become a place to chronicle my personal reading habits and preferences. On Goodreads I reflect upon my past readings and discover new things to read. My social interactions on the social network begin and end, for the most part, through additions to the 'Want to Read' and 'Currently Reading' shelves.
One aspect of Goodreads that has enriched my reading over the years is its annual Reading Challenge. The idea is simple: at the beginning of the year you set a personal goal of reading some number of books during that calendar year. The rest of the year, through a combination of personal drive and fear of public shame, you try to read enough to meet the goal. Nobody wants to be the person who aims to read 60 books in a year and yet stands at 3 books read by the beginning of December.
Despite reading being a mostly private affair, a reading habit is often flaunted in very public ways. When I first signed up for the challenge in 2014, driven partly by this desire to flaunt, I set myself a target of reading 50 books – a ridiculous reach considering I was to join grad school midway through the year. Unsurprisingly I failed to hit my target, but I didn't fail too badly. I managed to read thirty five books that year – the most I have ever read in a calendar year. The quality of my reading was fairly high as well. From Umberto Eco's The Name of the Rose to Hemingway's The Old Man and the Sea; from Amartya Sen's Identity and Violence to Hamid Kureishi's The Black Album, I was exposed to a wide breadth of ideas and writing styles that year. By the end of 2014, I was inspired to write this about my reading that year.
2015 was a regression to the mean. I could read just seven books, albeit books of remarkable note such as Fahrenheit 451 and Donna Tartt's The Secret History. This was also the year I truly discovered Salman Rushdie, despite having read some of his works back in India. You see, to realize the magic of his words one must have experienced the life of a cultural transplant, lost between two cultures, forever in known places and yet never at home. Shame, his book on Pakistan, ranks in my all-time top five. To me, Rushdie and Arundhati Roy are in a league of their own. They are like glass-blowers with words, they make language weave and twist in mesmerizing ways that one can't fully understand but still recognize as beyond one's abilities to mimic.
The poor showing in 2015 lowered my expectations for 2016. A book a month was all I asked of myself. The score at the end of the year was a very healthy 15. One book that stands out, in hindsight, from that year is Kazuo Ishiguro's The Remains of the Day. I have always fancied melancholy in literature, especially when it is tied to a good plot and relatable characters. 2016 was also the year I was introduced to graphic novels, thanks to my friend Clint.
If 2014 was my Steven Spielberg year – voluminous – then 2017 would be my Daniel Day Lewis year. I read half as many books, but each one was a hit out of the park. Salman Rushdie's The Satanic Verses will rank as one of the most involved reading experiences. The North Water was chilling and brutal. Zadie Smith's On Beauty was wise and cool. I was breezing through incredibly complex works and my writing improved, including my technical writing at work! At one point I was reading over two hours a day.
Sadly 2018 was another regression. I was still spending time with the occasional gold nugget, such as Salman Rushdie's Two Years Eight Months and Twenty Eight Nights, but the bulk of my reading during the year consisted of Tintin on my iPad. For most of the latter half of the year, I didn't touch a physical book. This continued into the early months of 2019. Eventually in March, I logged into Goodreads and saw Reading Challenge progress updates from many of my friends. I was very disappointed with myself and set myself the lowest bar yet. I challenged myself to read merely six books in the remaining nine months of the year.
When you are coming back to reading after a long layover, it doesn't bode well to start with an award-winning literary work. My incipient attempts at reading The Narrow Road to the Deep North or the Moor's Last Sigh quickly failed. The books were too deep and the language was too convoluted. I needed an easier read that could keep me engaged. Around this time, I ran into my school friend Radhika who highly recommended The Great Derangement by Amitav Ghosh. She gifted me her own personal copy, rife with her underlinings. The gift became my motivation and I plowed my way through the book. It was a work of non-fiction that ruminated the lack of climate change as an actor in contemporary literature. While Ghosh's searing insights into the depredations of the western model of economic growth was enjoyable, the bits I loved the most were his anecdotal passages that bore resemblance to his works on fiction. Fiction will always remain my first love. I followed it up with Sing, Unburied, Sing. It was a weird book; a mishmash of the scars of racism in the deep south and the unquenched thirsts of spirits roaming in the afterlife. It was marvelous, dull, and terrifying in parts. Next came When Breath Becomes Air by Paul Kalanithi. As expected it was a tearjerker. Paul's life reaffirmed something I have long believed in – it is through the confluence of disparate ideas and interests that the greatest writing is born. Paul's deep interests in literature, philosophy, medicine, and morality was evident and inspiring.
My rapid progress encouraged me to rise my target for the year to ten books. Let's see if I can achieve it. I am currently reading Shrilal Shukla's Raag Darbaari, and John Le Carre's The Honorable Schoolboy. I will be tweeting about my reading this year on Twitter chain.
You can find my Reading Challenge scorecards here:
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